Issue #89: Movies, movies, movies, movies!

There’s a moment in Damon Lindelof’s Watchmen (2019) in which the main character’s sexual gratification is deferred because of a persistent phone call. It’s funny, I would never accuse Lindelof of self-awareness, but somehow he manages to capture, in essence, why people hold him in contempt. His method of television writing always defers satisfaction, a…